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The 1808 Blount-Bridgers House, “the Grove,” is a national historic landmark, is home to a permanent collection that celebrates the 200 year-old material culture of Edgecombe County and the creative achievements of Tarboro-born artist, Hobson Pittman (1899-1972). In addition to the oil paintings, pastels, drawings, prints and watercolors by Pittman, the Blount-Bridgers House exhibits locally made period furniture and nineteenth century paintings of Edgecombe County citizens, including work by painters Thomas Sully, Thomas Landseer, and William Garle Brown.  Nineteenth century ceramics and twentieth century Jugtown pottery are featured, along with silver and iron utilitarian objects.  The extensive Batts textile collection includes 19th century  clothing, quilts, military uniforms and household linens.  Archival records and architectural information about Edgecombe County homes are actively collected and preserved. Also on the grounds is the restored circa 1810 Silas Everette House.


Local History Gallery (1st floor front hall)

In this gallery the visitor will see early documents and portraits relating to Tarboro and Edgecombe County history.

Blount Dining Room (1st floor)
In this period room setting the visitor will see objects primarily made in the early antebellum period (before 1860) for entertaining and dining. Objects from the Thomas Blount family (1759-1812), the first family in this house, demonstrate the prosperity of the Tar River planters.

Bridgers Parlor (1st floor)
In this period room setting the visitor will see furnishings and decorative objects primarily used in the mid-nineteenth century.

Calvert Landing (2nd floor)
In this gallery the visitor will see important artwork by Hobson Pittman who was born in Tarboro and spent his adult life in Philadelphia. The landing features many of the works featured in The Poet’s Palette, written by Meade Bridgers Horne, for sale in the museum shop for $25.00.

Hobson Pittman Studio (2nd floor)
In this exhibition space the visitor will see an open display of the artwork, materials and furniture used by Hobson Pittman in his studio, “Silver Birches” at Bryn Mawr.